Pablo Chávarri: his guitars; his pedals; his monophonic hearing; his straight jacket.
Pablo Chávarri chose the guitar instead of the machine-gun as his form of expression --even though experts still disagree about which one would have proved more successful on stage. Victim of mental disorders that defy all attempts at diagnosis, Pablo didn't learn music by playing other people's tunes, since it seemed obvious that the fun was in playing his own music --even though experts still discuss if that qualified as "music".
After various years of daring adolescence seasoned with scales beyond all known musical systems, he attended to a few seminars for youngsters who had also chosen the guitar over the machine-gun, the famed Guitar Craft. Pablo's arpeggios, already dangerous to the fragile middle ear ossicles, became truly incendiary thanks to the friction produced by his vertiginous fingering, whose relativistic speed showed that Einstein's theories were full of baloney.
